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Two novels very good in very different ways:

Star Wars: Razor's Edge (Martha Wells) (2013): Reread. A fun SW romp. Wells is really good at the sort of second-order worldbuilding I can't get enough of. Not just saying "abandoned mine taken over by pirates" but digging into that premise, and bringing out the sense of things pirates might do with an abandoned mine: yes to shooting galleries and slave pens, no to routine maintenance. Very standalone, which is a plus and a minus. Sometimes, it's really cool to see authors tie into and interpret existing material (from other writers, I, Jedi comes to mind); sometimes it's fun to see what new ideas authors can come up with (Alderaanian pirate ship!).

Half of a Yellow Sun (Chimamanda Ngozi Adichie) (2006): Fiction set during the Biafran War, or the Nigerian Civil War, of 1967 - 1970. Picked up after an NPR interview with the author; it's certainly a capital-L Literary novel. The reader can engage on the level of "Richard wants to be a Writer more than he actually writes"; or the psychology of Odenigbo's affair, and Ugwe's horrified reactions; or Richard and Olanna sleeping together, especially in the context of Richard's dismissiveness toward the expat community*. Certainly it's possible to be gripped and bored by turns during the war itself, as the conflict radically alters the characters' lives: middle- and upper-class Igbo like Olanna and Kainene struggle with privation, and Ugwe is drafted, exposing readers to the ugliness of combat and how the chaotic military life affects those fighting.

*"But this was expatriate life. All they did, as far as [Richard] was concerned, was have sex with one another's wives and husbands, illicit couplings that were more a way of passing the heat-blanched time than they were genuine expressions of passion." (chapter 21)

But there's the other level, too, where one remembers this is a novel, where the author has made choices. The choice that Olanna and Keinene do not speak for years after Kainene's lover sleeps with her twin Olanna; the significance of Olanna and Kainene's twin-ness; their shifts in fortune and friendship with the struggles of Biafra. So it's tempting to read extra signficance into each character and relationship: European Richard's infatuation with angry Keinene can become a metaphor, as does his impotence, literal and narrative; the child Baby, not just Olanna's lover's daughter, might also be a symbol of Biafra or the Igbo attitude toward Biafra. Kainene's disappearance is not only the open wound of family missing in war, for months and years, but carries extra weight as it occurs during the dissolution of Biafra. Even the PoV choices - Olanna, her lover's servant Ugwe, Richard - become significant, especially in light of the romantic affair that fractures the narrative, and the strained relationship between Olanna and Keinene. Even the lack of perspective from the passionate revolutionary Odenigbo comes into play.

Next up: Hild has floated to the top of the to-read pile, yay!

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Date: 2014-08-14 04:22 pm (UTC)
cahn: (Default)
From: [personal profile] cahn
Yay Hild! :)

Hmm, the Adichie sounds really interesting, although I'm not sure I'm up for a Literary Novel at present...

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