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Let's start in March and go from there.

The Faith of Beasts (James S. A. Corey) (2026): In audiobook, narrated by Jefferson Mays,

Insta-reaction: YAY THE BOYS ARE BACK AT IT.

Premise: Dafyd & (most some of the) company have survived and completed the challenges demanded by their alien abductors, the Carryx, during The Mercy of Gods. Dafyd has figured out enough about the Carryx he thinks he can figure out more, and maybe plot their downfall, without getting himself and all surviving humans slaughtered for insubordination. Dafyd & (surviving) company's reward? More work!

Spoiler for The Mercy of Gods and The Faith of Beasts. )

For what are likely obvious reasons, I reread Project Hail Mary (2021). For anyone who has not been paying attention, the movie adaptation is very fun, and Sandra Hüller does a great Eva Stratt.

In late May: Hugo novels!

Life is too short to read Shroud (Adrian Tchaikovsky) (2026) without vetting.

The Incandescent (Emily Tesh) (2026): previously read, in audiobook.

A Drop of Corruption (Robert Jackson Benett) (2026) in audiobook, narrated by Andrew Fallaize.

The Kingdom of Yarrow is scheduled to be absorbed into the Empire, semi Hong Kong style, but one of the diplomats negotiating terms has been murdered in a bedroom with all doors and windows locked from the inside. Why does this need special handling? Because the only reason the Empire cares about Yarrow is the Shroud, directly offshore the Kingdom: the place leviathan carcasses are towed for research and processing into the materials the Empire relies on for its biological technology. And so Ana and Din are off to a locked room mystery!

My split-second reaction after finishing the audiobook: if your author's note / afterword is "I didn't lean hard enough into skewering high fantasy tropes", perhaps you should have done another pass to spackle in additional skewering of high fantasy tropes.

With that said, I think Bennett is doing something fun with the series. I am inappropriately fond of Ana calling the children to listen (the children are 20something officers of the Empire who respect her intelligence and doubt her sanity). Fallaize's querulous intonation of Ana dispensing brilliant deductions, invective, and questionably appropriate personal advice is hilarious to me. The general thread of the novels - the empire is made up of its people and its labors - is worth further exploration. Fun novel, will read sequel(s).

Death of the Author (Nnedi Okorafor) (2026) in audiobook, primarily narrated by Liz Femi, with sections by Anthony Oseyemi, Jason Culp, and Chris Djuma. Protagonist Zelunjo Onyenezi-Onyedele is at her sister's wedding when she is fired. Disabled, queer, Black, and unemployed, Zelu resolves to write what she wants to. The novel becomes a breakaway hit and the pathway to stardom for Zelu.

The first chapters feel very heavy on the MFA "this is My Literary Novel" tradition, especially when chapters or excerpts of Zelu's novel, Rusted Robots, are interspersed with Zelu's story, and with interviews from friends and family, but the story accrues SF elements during the narrative. Joining Rusted Robots are "wait, isn't this here" self-driving cars, high end engineering, biotech, and civilian space travel.

Novel-destroying spoilers though the very last chapter. )

The Everlasting (Alix Harrow) (2026): in audiobook, narrated by Moira Quirk and Sid Sagar. Story of Owen Mallory, historian, scholar, coward, ex-solider, and Una Everlasting, the Queen's Champion, the Red Knight, the Virgin Saint, the Drawn Blade of Dominion. Born a thousand years apart, their lives become entwined thanks to a book with Una's sigil on the cover, and the woman who would see that book written to her command, and translated to her specific orders.

Different novel-destroying spoilers )

edited to add: It's worth noting that The Everlasting has substantial blocks of second person past tense, and it worked for me. Points to the author and the audiobook readers.


I'll hold off Hugo ranking thoughts until I've knocked out The Raven Scholar. It's 24 hours in audiobook. Oof.
ase: Book icon (Books)
I had plans to keep an up to date book log. Well, that didn't happen.

The Will of the Many (Hierarchy, Book 1) (James Islington) (2023): In audiobook, narrated by Euan Morton. At 17, protagonist Vis experiences unexpected elevation from the bottom of the Hierarchy's boot to its elite academic academy, a new player in several schemes related to the phlebotinum the Hierarchy runs on, except like all good pseudo-Rome fantasy with phlebotinum underpinnings, guess what, it might destroy the entire world or something, more to come in Book Two.

I spotted this while browsing at a romance bookstore, and based on the blurb, I couldn't figure out why it was there. Having listened through the audiobook, specifically the part where the girlfriend is strongly implicated to be lying through her teeth about A Lot and oh yeah, literally tries to stab him to death, I'm still not sure how it got there.

Is The Will of the Many playing every trope of Manly Man In An Epic, Fighting Against Overwhelming Empire, 100% straight? Sure looks like it from here. Vis spends a lot of time being emotionally tortured by memories of His Secret Past that He Must Keep Secret Or Die, and also performing physical feats of great strength, stamina, agility, etc. It must be nice to pull double all-nighters while running marathons and stuff.

The novel hammers in that the Hierarchy is Bad, and their primary opponents, the Anguis, are also Bad, because human rights violations and hypocrisy, there's no good choices, blah blah. In Baru Comorant style, Vis is forced to join with his enemies to investigate its secrets (and maybe trash the evil hegemonic empire) from the inside. Except the interesting non-hetero worldbuilding is missing.

The cool part of the novel would be the phlebotinum, if the author were interested in it. Citizens of the Hierarchy have Will taken from them, which deprives them of energy, but gives Will wielders super strength and "imbuing" powers to make small magic devices - super-locks, trackers, lights - as well as great public works, like magic flying trains. I guess you could also heal with it, if that was something the novel was interested in. (Spoilers, the novel doesn't seem that interested in it.)

I think it'd be deeply interesting to think about imperial pressure to participate in this transfer of energy / executive function / whatever as a metaphor for all sorts of stuff, but mostly the novel uses it as "and then we had plot convenient superpowers or trains or whatever," which is disappointing.

The plot builds to an epilogue revelation that the Will phlebotinum is connected to a technology to copy and split yourself across three linked (?) worlds (???) - Res, Obiteum, Luceum - which is also connected to an ancient Cataclysm that some idiot(s) might trigger again in their grasping at Moar Power or something. Also there's some Larger Conflict (tm).

Pretty sure Vis isn't going to do the smart thing, which would be to find the Final Boss protecting the Will technology core, then destroy the Will technology beyond reconstruction, at least not without two more novels of being emotionally and physically tortured by the author's fictional proxies. If we're lucky maybe he'll reconcile with the girlfriend who tried to kill him before she perishes at the hands of his enemies / sacrifices herself for him.

The Ministry for the Future (Kim Stanley Robinson) (2020) in large cast audiobook. Premise: addressing carbon emissions and by proxy climate change by legislation, also some terrorism.

I read Kim Stanley Robinson's Mars trilogy in my teens, and some of his other works between then and now. It feels like he has a specific utopian vision expressed repeatedly in his works, but as an American who read this in January 2026, his belief in a more peaceful, ecologically wise, equitable human future seems as dreamlike as Tolkien's First Age. That somehow this better world also comes into place through assassination and property damage doesn't help with my suspension of disbelief. Possibly the experience of one (1) pandemic, plus January '26, killed my willingness to believe in KSR's "if you build it" fiction.

Between the Islington and the KSR I reread some Scholomance as a "terrible schools and the societies that make them" palate-cleanser. After the KSR I reread a bunch of Radch series and Murderbot because sometimes you need to hang out with some unreliable and very angry narrators.

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