Let's start in March and go from there.
The Faith of Beasts (James S. A. Corey) (2026): In audiobook, narrated by Jefferson Mays,
Insta-reaction: YAY THE BOYS ARE BACK AT IT.
Premise: Dafyd & (most some of the) company have survived and completed the challenges demanded by their alien abductors, the Carryx, during The Mercy of Gods. Dafyd has figured out enough about the Carryx he thinks he can figure out more, and maybe plot their downfall, without getting himself and all surviving humans slaughtered for insubordination. Dafyd & (surviving) company's reward? More work!
( Spoiler for The Mercy of Gods and The Faith of Beasts. )
For what are likely obvious reasons, I reread Project Hail Mary (2021). For anyone who has not been paying attention, the movie adaptation is very fun, and Sandra Hüller does a great Eva Stratt.
In late May: Hugo novels!
Life is too short to read Shroud (Adrian Tchaikovsky) (2026) without vetting.
The Incandescent (Emily Tesh) (2026): previously read, in audiobook.
A Drop of Corruption (Robert Jackson Benett) (2026) in audiobook, narrated by Andrew Fallaize.
The Kingdom of Yarrow is scheduled to be absorbed into the Empire, semi Hong Kong style, but one of the diplomats negotiating terms has been murdered in a bedroom with all doors and windows locked from the inside. Why does this need special handling? Because the only reason the Empire cares about Yarrow is the Shroud, directly offshore the Kingdom: the place leviathan carcasses are towed for research and processing into the materials the Empire relies on for its biological technology. And so Ana and Din are off to a locked room mystery!
My split-second reaction after finishing the audiobook: if your author's note / afterword is "I didn't lean hard enough into skewering high fantasy tropes", perhaps you should have done another pass to spackle in additional skewering of high fantasy tropes.
With that said, I think Bennett is doing something fun with the series. I am inappropriately fond of Ana calling the children to listen (the children are 20something officers of the Empire who respect her intelligence and doubt her sanity). Fallaize's querulous intonation of Ana dispensing brilliant deductions, invective, and questionably appropriate personal advice is hilarious to me. The general thread of the novels - the empire is made up of its people and its labors - is worth further exploration. Fun novel, will read sequel(s).
Death of the Author (Nnedi Okorafor) (2026) in audiobook, primarily narrated by Liz Femi, with sections by Anthony Oseyemi, Jason Culp, and Chris Djuma. Protagonist Zelunjo Onyenezi-Onyedele is at her sister's wedding when she is fired. Disabled, queer, Black, and unemployed, Zelu resolves to write what she wants to. The novel becomes a breakaway hit and the pathway to stardom for Zelu.
The first chapters feel very heavy on the MFA "this is My Literary Novel" tradition, especially when chapters or excerpts of Zelu's novel, Rusted Robots, are interspersed with Zelu's story, and with interviews from friends and family, but the story accrues SF elements during the narrative. Joining Rusted Robots are "wait, isn't this here" self-driving cars, high end engineering, biotech, and civilian space travel.
( Novel-destroying spoilers though the very last chapter. )
The Everlasting (Alix Harrow) (2026): in audiobook, narrated by Moira Quirk and Sid Sagar. Story of Owen Mallory, historian, scholar, coward, ex-solider, and Una Everlasting, the Queen's Champion, the Red Knight, the Virgin Saint, the Drawn Blade of Dominion. Born a thousand years apart, their lives become entwined thanks to a book with Una's sigil on the cover, and the woman who would see that book written to her command, and translated to her specific orders.
( Different novel-destroying spoilers )
edited to add: It's worth noting that The Everlasting has substantial blocks of second person past tense, and it worked for me. Points to the author and the audiobook readers.
I'll hold off Hugo ranking thoughts until I've knocked out The Raven Scholar. It's 24 hours in audiobook. Oof.
The Faith of Beasts (James S. A. Corey) (2026): In audiobook, narrated by Jefferson Mays,
Insta-reaction: YAY THE BOYS ARE BACK AT IT.
Premise: Dafyd & (
( Spoiler for The Mercy of Gods and The Faith of Beasts. )
For what are likely obvious reasons, I reread Project Hail Mary (2021). For anyone who has not been paying attention, the movie adaptation is very fun, and Sandra Hüller does a great Eva Stratt.
In late May: Hugo novels!
Life is too short to read Shroud (Adrian Tchaikovsky) (2026) without vetting.
The Incandescent (Emily Tesh) (2026): previously read, in audiobook.
A Drop of Corruption (Robert Jackson Benett) (2026) in audiobook, narrated by Andrew Fallaize.
The Kingdom of Yarrow is scheduled to be absorbed into the Empire, semi Hong Kong style, but one of the diplomats negotiating terms has been murdered in a bedroom with all doors and windows locked from the inside. Why does this need special handling? Because the only reason the Empire cares about Yarrow is the Shroud, directly offshore the Kingdom: the place leviathan carcasses are towed for research and processing into the materials the Empire relies on for its biological technology. And so Ana and Din are off to a locked room mystery!
My split-second reaction after finishing the audiobook: if your author's note / afterword is "I didn't lean hard enough into skewering high fantasy tropes", perhaps you should have done another pass to spackle in additional skewering of high fantasy tropes.
With that said, I think Bennett is doing something fun with the series. I am inappropriately fond of Ana calling the children to listen (the children are 20something officers of the Empire who respect her intelligence and doubt her sanity). Fallaize's querulous intonation of Ana dispensing brilliant deductions, invective, and questionably appropriate personal advice is hilarious to me. The general thread of the novels - the empire is made up of its people and its labors - is worth further exploration. Fun novel, will read sequel(s).
Death of the Author (Nnedi Okorafor) (2026) in audiobook, primarily narrated by Liz Femi, with sections by Anthony Oseyemi, Jason Culp, and Chris Djuma. Protagonist Zelunjo Onyenezi-Onyedele is at her sister's wedding when she is fired. Disabled, queer, Black, and unemployed, Zelu resolves to write what she wants to. The novel becomes a breakaway hit and the pathway to stardom for Zelu.
The first chapters feel very heavy on the MFA "this is My Literary Novel" tradition, especially when chapters or excerpts of Zelu's novel, Rusted Robots, are interspersed with Zelu's story, and with interviews from friends and family, but the story accrues SF elements during the narrative. Joining Rusted Robots are "wait, isn't this here" self-driving cars, high end engineering, biotech, and civilian space travel.
( Novel-destroying spoilers though the very last chapter. )
The Everlasting (Alix Harrow) (2026): in audiobook, narrated by Moira Quirk and Sid Sagar. Story of Owen Mallory, historian, scholar, coward, ex-solider, and Una Everlasting, the Queen's Champion, the Red Knight, the Virgin Saint, the Drawn Blade of Dominion. Born a thousand years apart, their lives become entwined thanks to a book with Una's sigil on the cover, and the woman who would see that book written to her command, and translated to her specific orders.
( Different novel-destroying spoilers )
edited to add: It's worth noting that The Everlasting has substantial blocks of second person past tense, and it worked for me. Points to the author and the audiobook readers.
I'll hold off Hugo ranking thoughts until I've knocked out The Raven Scholar. It's 24 hours in audiobook. Oof.