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Eight, including one nonfiction. I have got to change my non/fiction ratios up.

I Capture the Castle (Dodie Smith): I should know better than to read novels in gigantic chunks; resolution of any novel makes very little sense at 3 AM. Epistolary novel that almost worked for me, except I empathize with the father's lazy genius too much, so it's a little painful.

Old Man's War (John Scalzi): I did two things on my seventy-fifth birthday. I visited my wife's grave. Then I joined the army. Starship Troopers, except for the wife thing. Which actually is sort of late Heinlein, if you have a twisted brain. However, it doesn't follow through for me, because Johnny Rico is supposed to be an everyman, and John Perry is a little more special. Spoilers, quotes, rambling. ) Points off OMW for not being deep, worldbuilding, and Special Protagonist Effect; points to OMG for engaging characterization of non-POV characters and snappy dialogue. Conclusion? Scalzi stays on the "to read" list.

Into Thin Air: A Personal Account of the Mt. Everest Disaster (Jon Krakauer): Journalist's experiences during the 1996 climbing season, supplemented by interviews with climbers who survived the circumstances that killed eight people in less than 24 hours. The mountain would ultimately claim 15 lives that season, the greatest number of fatalities in one year.

The Everest fatality list lists deaths up to and including 2002. There's been a death on the slopes every year since 1978. So when I say, "people die every year on that mountain", people do, in fact, die every year on that mountain because they put themselves in harm's way. Enthusiasts with limited experience throw thousands of dollars at the opportunity to experience significantly subzero wind chills, hypoxia, and did I mention possibly death?

However, this makes for great drama. Guides and their clients are pushing the envelope so far there's not much margin for error when something doesn't go to plan. I am fascinated, if convinced I am never, ever doing it without a winning lottery ticket and five-year training program. Good nonfiction.

I should disclose that I read Into the Wild, Krakauer's book about Christopher McCandless, the summer before my senior year of high school. I loathed it, because I had no sympathy for No Map McCandless in my cautious soul, and Krakauer inexplicably (to me) did. My loathing of Into the Wild is a reflection of my fundamental difference in worldview from McCandless and should not be taken as a reflection on Krakauer's writing, which is extremely readable. Oh hey, there is an Into the Wild movie less than a month from release. I had no idea!

Faking It (Jennifer Cruise):
Then the light caught Tilda's crazy blue eyes again, and she looked stubborn and difficult and exasperating and infinitely more interesting than Eve, if he could keep from maiming her. And he already knew she could kiss.
And so it was that on page 76 I said, "thank God, one romance novel is finally talking to me."

However, it doesn't say the things I really want to hear. That's not a winning conclusion in a fluffy book. )

Fire Logic (Laurie J. Marks): The Shafthali resistance, as seen through the eyes of Zanja na'Tarwein. There, have a useless blurb.

The usual strategy for epic war fantasy novels is to focus on the battles and political maneuvering. Marks focuses on the resistance, on avoiding and seeking out small local skirmishes, and on the toll armed hostilities take on the people and the land: farms destroyed, lives sacrificed to duty, etc. Marks gets points for LGB content and a fantasy system which does not actively irritate me. She also gets points for quietly telling a story featuring women interacting with women, which is a weird thing to say, but consider the last five SF novels you read and ask yourself how many of them featured a scene with three people doing a job, all of whom happen to be of the XX persuasion. According to her biography, Marks is in a writing group with Rosemary Kirstein, Ellen Kushner, Delia Sherman, and Didi Stewart. People who know me know that I think Kirstein's Steerswoman series is doing awesome stuff, and that I may break the bank for a hardcover copy of the next one, if published in that format, to get it faster. So I am very excited that I have other authors who seem to be in a conversation I want to eavesdrop on.

The Machine's Child (Kage Baker): From the diary of Labenius, an Immortal: Book 7. Still not 2355!

Spoilers. Though after that last sentence, do you care? )

V for Vendetta (David Lloyd, Alan Moore): Graphic novel of 1982 - 1988 comic series. I saw the movie first, rushed through the comic in the two days after I realized I had a due date coming up, and in some ways like the movie more. Yes, gasp, horror, shock, get it out of your system so I can explain. Ready?

Two paragraphs of rambling. )

The Sons of Heaven (Kage Baker): IT IS FINALLY 2355. )
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This very nearly wound up titled "Geniuses and Megalomania", because there seemed to be an awful lot of that this month, but the entry wound up bookended by lighter stuff. Thank goodness.

Monsoon Diary (Shoba Narayan): Autobiography about life as the bright daughter of a large South Indian family that loves food. Very lightweight, good bedtime reading - as long as you don't go to bed on an empty stomach. Food is a major focus of the book: common breakfasts, memorable feasts, a well-intentioned but fairly disastrous charity dinner; love expressed through lunches. The author includes recipes at chapter ends. It tempts me to cook, which I consider a good thing.

Cold Tom (Sally Prue): Tom of the Fae is - horrors - enslaved to humans by love. YA fluff with one interesting idea (love as a chain) and a whiff of Tam Lin. It suffers from the cuteness and over-tidiness seen in a lot of YA books - very small cast, who all wind up in close happy relationships - and the central theme's pretty standard YA stuff, but the perspective twist is kind of cool. Worth the dollar it cost at a library sale, but not necessarily worth the full price.

The Life of the World to Come (Kage Baker): Fifth novel in the Company series. (Finally!) It moves things along very nicely. Document D, Alec Checkerfield, time travel, weird and possibly metaphorical prophetic dreams. Things go boom! in bad ways, as they tend to around the botanist Mendoza.

For people unfamiliar with Kage Baker's novels: the Company series focuses on events in the lives of certain time traveling immortals who steal great cultural works and to-be-extinct species from their doomed fates and stash them in improbable places for the edification of future generations and profit of Dr. Zeus Inc., the company that created the immortals. Only there's a few hitches, like that distressing "things go boom! around Mendoza" pattern. Sometimes there are also little gray men. If someone wants to explain what was going on at the end of Graveyard Game (or send me a copy of the paperback), email or indicate spoiler-ness when commenting.

The style is fun, the plotting multi-novel, and attention to detail sometimes is really rewarding. Hooked? Find a copy of In the Garden of Eden and start catching up.

Do you know how hard it is to talk without spoiling left, right and center? )

Reread bits of Cyteen. It's a stress thing.

Watchmen (Alan Moore, Dave Gibbons): Notable '80s graphic novel, noted for being an "adult" comic back when they weren't so much. Edward Blake, ex-superhero, is killed. Those who try to find out why discover they've got a thread into a Gordian knot of trouble.

It's, um, well. Picking this up for some light bedtime reading was really a mistake. (I have this problem quite often when I'm trying to read comics. Which is probably why I don't read them much.) There's an awful lot of blood and violence, I can't think of a major protagonist I'd want to spend time with, the art does what it's supposed to, the blocking is striking, and the plot is fabulous. All the byzantine twisting of now, history, minor characters, world events, and even interesting use of the use/abuse of power theme. It's cool. It's intricate. It's just... did Moore really have to throw someone out a skyscraper on the first page?

So. Major points for fabulous plotting, but... don't read this if you're convinced the world's in bad shape.

A Beautiful Mind (Sylvia Nasar): I really liked it. )

I also reread Mirabile (Janet Kagan) in random chunks. Comfort reading, With silly puns, off-the-wall biology, and nice characterization. Everyone means well, and it generally works out.

My last-weekend-of-the-month binge was Hellspark (Janet Kagan). Mirabile is a short story collection, and Hellspark I believe a first novel, and I think the difference shows. In brief, Tocohol Susumo, a red-haired golden-eyed Hellspark trader with a Really Special extrapolative computer, is asked to solve a murder and a question of sentience. I'm glad I read this when I was younger and less jaded by fandom, because I would've tossed this as a Mary Sue-ish if I'd read it after reading all that bad fic. I would have missed a very entertaining story that's just a bit larger than life, in that nifty space opera way. My other quibble with the book is the way everyone's good intentions work out for the best, but after some of the other stuff I read this week I can't say that's a bad thing, in fiction.

In February I read an awful lot of the fiction on the weekends, when I slept late and failed to get anything done that I'd planned on. I can either blame this on a disinclination to get up when it's cold out (and the circulation in the house is terrible; the upstairs is always ten degrees warmer than the downstairs) or my disinclination to do my homework. One of these can be solved by a heater. The real problem probably can be solved by willpower, or going to the school library, out of reach of all that pesky fiction.

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