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Possibly I am less than enthusiastic about this writeup because I read all of these, oh, weeks and even months ago. I feel like I'm forgetting a novel or two, but I think there's several I started last month, but abandoned, or finished in July. Oh! The late-month reading time got sucked up by trip planning. Yes, that was it! (Ha.)

Phyllida and the Brotherhood of Philander(Ann Herendeen): a novel by the grace of having a page one and a page last, rather than any redeeming plot, enjoyable romantic tropes, compelling characterization, or thoughtful worldbuilding. (The worldbuilding could be best described as third-generation photocopied Regency, with some liquid paper touch-ups.) It's like the writer took her NaNo draft straight to the press, with very few stops for editing. Disappointing; I saw "guy/guy/girl romance" and said, "Hey! Where is the bad?" Now I know: bisexual romance with no threesome action. And it started off with such a promisingly dubious premise and bad prose! All the fun bits were done in the first hundred pages! Editor machete, please!

Deep Wizardry and High Wizardry (Diane Duane): Rereads; second and third in the Young Wizards trilogy. I like this most when I try not to think about the deep worldbuilding too much, because I get as far as "so how do, say, African or Bangladeshi wizards find the leisure time to be wizards?", try to integrate Hinduism and Tao into a magical philosopy strongly rooted in the European monotheistic tradition, and then my head explodes. Also, the older I get, the less I parse Tom and Carl as BFFs and the more I think they need to run away to Massachussetts and have a big gay wedding. Amazing how ten or 15 years will change your perspective.

Gentlemen of the Road: A Tale of Adventure (Michael Chabon): Amran and Zelikman, two wayward Jews, in 10th century Khazaria. It's like Fafrd and the Grey Mouser meets historical swashbuckling. With elephants. The afterward, where Chabon essentially says, "I'm proud of my 90's work [which was Serious Lit], and now I'm having an adventure" endears Chabon to me. Deep? No. Fun? Yes.

Pride of Baghdad (Brian K. Vaughan & Niko Henrichon (art)): Graphic novel; the lions of the Baghdad Zoo during and after the American invasion. Vaughan, Henrichon, your political leanings are subtle like a missile strike.

Prince Caspian (C. S. Lewis): Reread. Peter, Susan, Edmund and Lucy return to Narnia. My absolute favorite image in the book is Caspian escaping his uncle's castle as celebratory fireworks burst over the sky.

The Voyage of the Dawn Treader (C. S. Lewis): Reread. "There was a boy named Eustace Clarence Scrubb, and he nearly deserved it." My favorite of the series.
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Locked Rooms (Laurie R. King): In all my griping about plausibility and suspension of disbelief, it's easy to forget is how fun the Holmes/Russell books are. Deep? Reflective? Heck no. On the other hand, Erratic spoilers. )

Someday, there may be WWII!Russell books. Scary thought. And that's as profound as I'm going to get. (7.13)

Four Loves (C. S. Lewis): Nonfiction. Lewis examines several categories of human interaction - affection, friendship, romantic love, charity - with an eye to their similarities to and impediment of relationship with the Divine. Several years ago I saw the book mentioned in someone's attempt to clarify character relationships and decided I wanted to try reading it. Stalled three pages in on someone else's copious underlining and my complete incomprehension of Lewis' central thesis. I think my personal history with God (or rather, the complete lack thereof) continues to explain most of my difficulties with this book, a state of events that says more about me than about Lewis' thoughtful and reasonably readable work. Lewis' control of his words, sentences, paragraphs and chapters awes me, since I can't consistently start and end livejournal entries where I intend to. (7.16)

Posted and backdated August 4th, 2005

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